Through the use of colloquial dialect, syntax, and descriptive figurative language, Zora Neal Hurston beings to urine the townspeople as a judgmental, jealous fold in her novel Their Eyes Were Watching God. The old, stereotypical, Southern Black set phrase is prevalent throughout the novel, allowing the reader to see the speakers as unbelieving laborers. Their judgmental rhetorical questions relate their feelings of jealousy towards Janie, asking what a forty year ole oman doin wid her hair swingin down her back lak many young gallon(1) and other probing questions, silently break themselves to and judging her. Yet these uneducated laborers, as they ar so flawlessly portrayed, take the low road themselves, silently thrum with jealousy. The townspeople, blinded by the main characters beauty, ar confused, disjointed sentences blundering foolishly from their tongues. They all seem to think [Janie] was passing to marry and her husband [runs] off wid some young gal so young she aint even got no hairs(2), wondering about Janies life, so much to a greater extent interesting than their labor-monkey lives. The townspeople, who make the transition to the porch argon lumped unitedly.
At archetypal described as monkeys on the bander record(2), the porchs organs of judgment are taken away, Janies consideration of them as tongueless, earless, eyeless conveniences(1) are synecdochal humiliations and degradations, lumping them together once more. The porchs killing tools of laughs are only a minor fragmentize of their bullying arsenal. Much like a middle prepare bully stealing lunch money, their mirth from the kill is compared to accord! in a song(2). Janie, though a headstrong, self-supporting woman, can only take so many punches. The porch/townspeople/conveniences are only a jealous mass held together by their similar dialect, fragmented thoughts and outward discrepancy towards someone who is not like them, nor eer will be.If you wishing to get a full essay, clubhouse it on our website: OrderCustomPaper.com
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